{"id":11923,"date":"2026-02-02T12:37:37","date_gmt":"2026-02-02T11:37:37","guid":{"rendered":"https:\/\/www.italic-us.org\/major-impressionist-exhibition-at-the-tavolara-museum-in-sassari\/"},"modified":"2026-02-20T09:21:38","modified_gmt":"2026-02-20T08:21:38","slug":"major-impressionist-exhibition-at-the-tavolara-museum-in-sassari","status":"publish","type":"post","link":"https:\/\/www.italic-us.org\/en\/major-impressionist-exhibition-at-the-tavolara-museum-in-sassari\/","title":{"rendered":"Major Impressionist exhibition at the Tavolara Museum in Sassari"},"content":{"rendered":"<p data-start=\"69\" data-end=\"495\"><strong data-start=\"69\" data-end=\"133\">From November 28, 2025, to February 1, 2026, Sassari hosted a major exhibition dedicated to Impressionism<\/strong>, designed to portray the movement in its entirety and place the city at the center of the national cultural landscape. The exhibition, titled <strong data-start=\"284\" data-end=\"369\">\u201cLight, Nature, Freedom. Landscape Pioneers from Barbizon to the Impressionists\u201d<\/strong>, was held at the <strong data-start=\"383\" data-end=\"401\">Tavolara Museum<\/strong> and featured <strong data-start=\"415\" data-end=\"441\">66 works by 31 artists<\/strong>, curated by art historian <strong data-start=\"474\" data-end=\"494\">Alberto Bertuzzi<\/strong>. <\/p>\n<p data-start=\"497\" data-end=\"907\">The exhibition, conceived by the <strong data-start=\"520\" data-end=\"558\">Aurea Natur Cultural Association<\/strong> with the support of the Municipality of Sassari, the Fondazione di Sardegna, and the patronage of local institutions, was divided into <strong data-start=\"685\" data-end=\"700\">three sections<\/strong>: from the first anti-academic movements to the <strong data-start=\"744\" data-end=\"766\">Barbizon School<\/strong>, and finally to the full maturity of Impressionism. The works came from Italian and French collectors, some <strong data-start=\"879\" data-end=\"906\">never before exhibited to the public<\/strong>. <\/p>\n<p data-start=\"909\" data-end=\"1349\">The exhibition path highlights <strong data-start=\"945\" data-end=\"958\">landscape<\/strong> as the central subject and includes oil paintings, drawings, watercolors, lithographs, and mixed media. Among the <strong data-start=\"1068\" data-end=\"1084\">precursors<\/strong> are <strong data-start=\"1094\" data-end=\"1111\">Eug\u00e8ne Boudin<\/strong>, Monet&#8217;s mentor, and <strong data-start=\"1134\" data-end=\"1151\">Eug\u00e8ne Isabey<\/strong>. Significant space was dedicated to the Barbizon School with artists such as <strong data-start=\"1218\" data-end=\"1239\">Th\u00e9odore Rousseau<\/strong>, <strong data-start=\"1241\" data-end=\"1269\">Narcisse Diaz de la Pe\u00f1a<\/strong>, <strong data-start=\"1271\" data-end=\"1286\">Jules Dupr\u00e9<\/strong>, <strong data-start=\"1288\" data-end=\"1300\">Daubigny<\/strong>, and other key figures of nineteenth-century landscape painting.  <\/p>\n<p data-start=\"1351\" data-end=\"1628\">The Impressionist section included works by <strong data-start=\"1394\" data-end=\"1410\">Claude Monet<\/strong>, <strong data-start=\"1412\" data-end=\"1429\">Alfred Sisley<\/strong>, <strong data-start=\"1431\" data-end=\"1451\">Camille Pissarro<\/strong>, and <strong data-start=\"1453\" data-end=\"1471\">Berthe Morisot<\/strong>, as well as <strong data-start=\"1481\" data-end=\"1501\">Giovanni Boldini<\/strong> and <strong data-start=\"1505\" data-end=\"1523\">Emilio Donnini<\/strong>. Also featured were artists famous for their female portraits, such as <strong data-start=\"1587\" data-end=\"1603\">Henri Gervex<\/strong> and <strong data-start=\"1606\" data-end=\"1627\">Paul C\u00e9sar Helleu<\/strong>. <\/p>\n<p data-start=\"1630\" data-end=\"1960\">The exhibition was enriched by <strong data-start=\"1656\" data-end=\"1683\">previously unpublished insights<\/strong> into the artists&#8217; lives, the result of research by <strong data-start=\"1735\" data-end=\"1758\">Caterina Berlinguer<\/strong> and Alberto Bertuzzi, revealing interesting facts about the art market and Monet&#8217;s private life. An exhibition of great cultural and artistic value, capable of combining historical rigor with narrative charm. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>From November 28, 2025, to February 1, 2026, Sassari hosted a major exhibition dedicated to Impressionism, designed to portray the movement in its entirety and place the city at the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":11924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[310],"tags":[359,358,360],"class_list":["post-11923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-impressionism","tag-sassari","tag-tavolara-museum"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Major Impressionist exhibition at the Tavolara Museum in Sassari - 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